Enthroned Within, a solo bassist from Barcelona, well I have composed a new tune. I think with this tune I really needed a guitarist.
It’s very Tool like… Anyway, rate and enjoy!
Crash Test Dummies have taken forever to record a new album. Like 6 years!
Read something today on Exclaim news: http://www.exclaim.ca/articles/generalarticlesynopsfullart.aspx?csid1=141&csid2=844&fid1=45276
They say, “The 11-song record was recorded with vintage analogue music toys, according to a press release. At some point before writing for the album began, main Dummy Brad Roberts and producer/album co-writer Stewart Lerman (Antony & the Johnsons, the Roches) apparently became obsessed with the Optigan, a ’70s Mattel toy/instrument, which shaped how the album was written and added a whole new layer to the band’s sound.”
Sounds interesting…. analogue toys! Sounds like something Psyhic TV has kinda done before. Let’s see how it pans out!
I’m presently riffcasting. I’ve found quite a few products that you can use to convert your ogg to mp3. A lot of them are cheeky and only convert 60 odd percent. The rest you have to pay for. I agree, if the user interface, experience and speed is worth it, then buy it.
I’d say this program is FREE, very quick and seems to be really low on resources.
When converting from a MAX sized OGG, it does it pretty much within seconds.
A 12MB ogg took 3.5 seconds to convert. I recommend it!
The easiest and FREE Ogg to MP3 converter can be found here:
Front 242 have released a trailer to their new DVD, “Moments in Budapest”. The DVD is limited to 4,000 copies.
Sounds really cool to be honest. You can buy it here:
http://www.alfa-matrix.com/shop_comments.php?id=1843_0_8_0_C
I saw on Fangoria Magazine that Eli Roth has written a letter to Sea World explaining his thoughts on the state of affairs of the sea life.
Eli Roth states, “Showing visitors a more realistic version of what life is like for real marine mammals rather than displaying the captive animals’ unnatural and repetitive behavior patterns—which are linked to their oppressive environment—is actually more educational”.
He concludes, “You are sending a far more dangerous message to kids, whose lives would be just as happy and fulfilled without seeing a large intelligent creature jump around to music for their entertainment, and would probably take a more active interest in protecting whales if they saw them out in the ocean where they belong.”
Although he’s not really argued well for the ethics behind it, there are points of view that, as an entertainer, one need not go to. There now exists iMax and other great 3D tours of the animal kingdom that are probably more instructive than seeing them perform tricks.
His argument on the Auschwitz concept I believe is more on how we finally get to acceptance of situations as normal. After this, the acceptance breed complicity. What we do next is reliant on our perception of culture and acceptability.
As animals display pain and distressed behaviour it is clear they do indeed suffer. Being a vegetarian, I too know that the arguments from both sides of the table often come to stalemate. If one comes to a stalemate, what then? Neither side is enlightened nor could continue without offending the other. The truth of the matter, at least how one could continue must exist between the two extremes.
I recommend you look at the Meatrix. This argument actually comes across as vegan. It’s not. Rather its looking at alternatives of more ethical food production.
Thus if solution is presented, as well as Eli presents, then taking steps to this end and not from it should show the ethics and logic of the defendant. With other forms of animal baiting, shows etc that have been seen as in-ethical, I think Sea World should think very carefully how they might reply.